Alan vega -

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Artist: Alan vega

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Filename: alan-vega.zip
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nickmorrisson

Review by Ricky Nicolas Siahaan

Alan Vega's eponymous album is a haunting and electrifying work that showcases the late artist's unique vision and undeniable talent. From the opening track "Satan's Seed" to the closing "Psalm 68," Vega's signature blend of punk, rockabilly, and electronic music is on full display, with his distinctive vocals punctuating each song with a raw, visceral intensity.

The album is a testament to Vega's uncompromising artistic vision, with each track exploring different themes and emotions, from the dark and brooding "Dead to Rights" to the frenzied energy of "Freedom's Smashed." The production is sparse but effective, with Vega's voice and minimalist instrumentation creating a sense of urgency and immediacy that draws the listener in.

Table of Contents

Labels

Light In The Attic

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Formats

Vinyl

About Alan vega

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Alan Vega (born June 23, 1938, Brooklyn, New York, USA - died July 16, 2016) was an American musician, vocalist and sculptor and one half of the seminal electronic duo . Vega began his career as a visual artist, gaining notoriety for his "light sculptures" eventually opened his own lower Manhattan gallery space, which he dubbed the Project of Living Artists. The Project served as a stomping grounds for the likes of the New York Dolls, Television and Blondie as well as the 15-piece jazz group Reverend B., which featured a musician named Martin Rev on electric piano. Soon, Vega and Rev formed Suicide, whose minimalist, aggressive music - a fusion of Rev's ominous, repetitive keyboards and Vega's rockabilly snarl - helped pave the direction for the electronic artists of the future. Suicide disbanded in 1980, and both Vega and Rev undertook solo careers. Vega's self-titled 1980 debut and his 1981 effort Collision Drive continued to explore the fractured rockabilly identity he had established in his earlier work. 1983's Saturn Strip, produced by longtime fan Ric Ocasek, marked Vega's debut for Elektra Records; corporate relations soured during production for 1985's Just A Million Dreams, however, and at one point the label even attempted to remove the singer from his own studio sessions. Vega teamed up with Martin Rev and Ric Ocasek again in the late eighties to produce and release the third Suicide album, A Way of Life (1988). Shortly thereafter, Vega met future wife and music partner Elizabeth Lamere while piecing together sound experiments that would evolve into his fifth solo album, Deuce Avenue (1990). Deuce Avenue marked his return to minimalist electronic music, similar to his work with Suicide, in which he combined drum machines and effects with free-form prose. Over the next several decades he would release several more solo records and perform and release albums with Suicide. In 2012, Vega suffered a stroke. That, and problems with his knees, led him to focus on less physically demanding art, such as painting, however, he continued to perform at selected concerts and work on the music that led to his final studio album 'IT', which was released posthumously on July 14 on Fader. The album was produced by Alan Vega, Liz Lamere, Perkin Barnes and Jared Artaud of New York City band The Vacant Lots. The album cover and inner sleeves featured Vega's original artwork. Two posthumous art shows "Dream Baby Dream" at Deitch Gallery and "Keep IT Alive" at Invisible-Exports exhibited Alan Vega's work in New York City. In 2021, Sacred Bones Records releases 'Mutator', the lost Alan Vega album produced and mixed by Liz Lamere and Jared Artaud, the first in a series of unreleased and rare material from the Vega Vault. Vega had died in his sleep on July 16, 2016, at the age of 78.

Real Name

    • Boruch Alan Bermowitz

Name Vars

  • A Vega
  • A. Suicide
  • A. Vega
  • A.Vega
  • Alan
  • Alan Bermowitz
  • Alan Vela
  • Vega
  • Vegs
  • Verga

Aliases

  • Duetonal
  • Alan Bermowitz
nickmorrisson

Summary by Ricky Nicolas Siahaan

Alan Vega's self-titled album is a must-listen for fans of experimental and alternative music, as well as anyone who appreciates the work of a true visionary artist. Vega's legacy lives on through this powerful and unforgettable album, which cements his place as one of the most innovative and influential musicians of his generation.

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